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<table border="0" cellpadding="3" cellspacing="1" width="100%" class="forumline"> <tr> <th class="thCornerL" width="22%" height="26">Author</th> <th class="thCornerR">Message</th> </tr> <tr> <td width="22%" align="left" valign="top" class="row1"><span class="name"><a name=""></a><b>Qingpljyp</b></span></td> <td class="row1" height="28" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="0"> <tr> <td width="100%"><img src="http://picsrv.fora.pl/subSilver/images/icon_minipost.gif" width="12" height="9" alt="Post" title="Post" border="0" /><span class="postdetails">Posted: Thu 4:47, 29 May 2014<span class="gen"> </span> Post subject: 8-28-15425</span></td> </tr> <tr> <td colspan="2"><hr /></td> </tr> <tr> <td colspan="2"><span class="postbody">A female friend once pointed out that these oftentimes inane lists are (strangely, suspiciously) almost always the domain of men. "It's a real guy thing," she said. And I'm fairly certain that wasn't a compliment considering she expounded by suggesting that spending precious time attempting to rank what is in essence unrankable how can one even suggest that one work of art is actually better than another? is anal, compulsive. <br />C.; Herman, T.; Herrington, Oliver Alexander; Hewson, Sydney Dalton; Hickey,[url=http://www.espace-nature-vosges.fr/category/air-jordan-3]air jordan 3[/url], Chas. Milne; James, Emerson Robt.; James John Lloyd; James, Norman Hubert; Jamieson, Maxwell G.; Jarvis, Alan; Jarvis, Robt. John; Kastner, Joseph John Michael; Kasurak,[url=http://www.musiquechretienne.fr/category/escarpins-louboutin/]escarpins louboutin[/url], Walter; Kaviza, Jos. <br />Dupuy, sensitive to the formal and technical restlessness of his era and inspired by looser, larger artist organized models such as Fluxus and the New York Avant Garde Festival, wanted to provide his compeers practical armatures upon which they could build their concepts or, conversely, conceptual armatures around which they could fashion their devices. It worked both ways; at a critical juncture in the development of conceptual art in the mid 1970s, Dupuy's collective presentations demonstrated that concept and practice were one and the same thing, and that the rupture that needed to be healed was between artist and audience. The very themes and structures that galvanized the participants in Dupuy's collective presentations provided their visitors a clarifying leitmotif and allowed comparisons to be made and methods to be grasped without compromising artists' intents or techniques. <br />(Gallery KM [now Klowden Mann], 6023 Washington Blvd., Culver City CA; closed. Nicholas Altstaedt, cello. Jonathan Cohen,[url=http://www.terrebrulee.fr/tn-pas-cher/]tn pas cher[/url], harpsichord. F.; Elliott, Thos. J.; Ellis, Albert James; Ellison, Willard Albert; Elwin, Robt. Norman; Emarton, Geo. FLCAN's communications director, David B. Jones, shared with Sunshine State News the answers Rep. Holly Raschein, R Key Largo, gave to a questionnaire administered over the phone before the Nov. <br />相关的主题文章： <br /> <br /> <br /> [url=http://www.cebu-connect.com/inc/exe/forum//index.php?PHPSESSID=570de19ebee8e867c1e7ee53e1b170ad&action=vthread&forum=9&topic=336149]8-28-15082[/url] <br /> <br /> [url=http://date4every1.com/inc/exe/forum//index.php?&action=vthread&forum=4&topic=669787]8-27-13445[/url] <br /> <br /> [url=http://www.maicaoduo.com/home.php?h=1579&app=blog&id=200571&user_id=1579]8-27-13547[/url]</span></td> </tr> </table></td> </tr> <tr> <td colspan="2" height="1" class="spaceRow"><img src="http://picsrv.fora.pl/subSilver/images/spacer.gif" alt="" width="1" height="1" /></td> </tr> </table>
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